Performance Practice

Notas sobre la transposicion en voces e instrumentos en la segunda mitad del siglo XVII: el repertorio de la Seo y el Pilar de Zaragoza

Early Music / Musicology / Performance Practice / Historically Informed Performance (HIP) / Historical Musicology / Spanish Baroque Theater and Music

Misa de Indios – Misa Criolla. Ensemble La Chimera, Coral de Cámara de Pamplona, Luis Rigou y Bárbara Kusa. Eduardo Egüez, director

Popular Music / Latin American Music / Performance Practice / Sacred Music / The Sacred In Popular Music / Sound Recording / Latin American Colonial Music / Sound Recording / Latin American Colonial Music

Ministriles Novohispanos. Obras del manuscrito 19 de la Catedral de Puebla de los Ángeles. Ensemble La Danserye

Organology / Renaissance music / Polyphony / Performance Practice / Spanish Music / Instrumental Music / Sound Recording / Latin American Colonial Music / Ministriles / Música Instrumental / Puebla Cathedral / Catedral de Puebla, México / Instrumental Music / Sound Recording / Latin American Colonial Music / Ministriles / Música Instrumental / Puebla Cathedral / Catedral de Puebla, México

Espacios sonoros en la Catedral de Jaén. Juan Manuel de la Puente (1692-1753). Orquesta Barroca de Sevilla y Coro Vandalia, Enrico Onofri, director

Early Music / Performance Practice / Sacred Music / Eighteenth-Century Music / Polychorality / Sound Recording / Villancicos / Catedral de Jaén (España) / Cantatas / Sound Recording / Villancicos / Catedral de Jaén (España) / Cantatas

Práctica performativa e Intercorporeidad: sobre el contagio de los cuerpos en acción.

Performance Studies / Performance / Performance Practice

Performatividades folklorizadas: visiones europeas de las músicas coloniales - Revista de Musicología, vol. 39, núm. 1 (Madrid, 2016), pp. 291-310.

Early Music / Performance Studies / Performance Studies (Music) / Recording / Latin American Music / Performance Practice / Historically Informed Performance (HIP) / Hispanic Studies / Performance Analysis / Historical Musicology / Discography / Latin American Colonial Music / Mexican Music / Villancicos / Early music and historically informed performance practice / Percussion Performance / Performance Practice / Historically Informed Performance (HIP) / Hispanic Studies / Performance Analysis / Historical Musicology / Discography / Latin American Colonial Music / Mexican Music / Villancicos / Early music and historically informed performance practice / Percussion Performance

Programa XIII Festival de Música Antigua Úbeda y Baeza (2009) [Exclusiones y resistencias: las otras músicas hispánicas (ss. XVI-XVIII)]

Early Music / Music History / Festivals and music / Minority Studies / Social Exclusion / Baroque Music / Medieval Music / Renaissance music / Performance Practice / Spanish Music / Historically Informed Performance (HIP) / Hispanic Studies / Early music and historically informed performance practice / Music Management / Baroque Music / Medieval Music / Renaissance music / Performance Practice / Spanish Music / Historically Informed Performance (HIP) / Hispanic Studies / Early music and historically informed performance practice / Music Management

Programa XIX Festival de Música Antigua Úbeda y Baeza (2015) [Músicas cultas, músicas populares]

Early Music / Music History / Festivals and music / Popular Music / Baroque Music / Medieval Music / Renaissance music / Performance Practice / Spanish Music / Performance Practice (Music) / Historically Informed Performance (HIP) / Classical Music / Hispanic Studies / Early music and historically informed performance practice / Medieval Music / Renaissance music / Performance Practice / Spanish Music / Performance Practice (Music) / Historically Informed Performance (HIP) / Classical Music / Hispanic Studies / Early music and historically informed performance practice

Programa XX Festival de Música Antigua Úbeda y Baeza (2016) [Las edades de la música]

Early Music / Music History / Festivals and music / Spanish Studies / Baroque Music / Medieval Music / Latin American Music / Renaissance music / Performance Practice / Spanish Music / History of music / Performance Practice (Music) / Classical Music / Periodization / Festivals / Cultural History of Music / Latin American Colonial Music / Music festivals / Early music and historically informed performance practice / Music Programming / Medieval Music / Latin American Music / Renaissance music / Performance Practice / Spanish Music / History of music / Performance Practice (Music) / Classical Music / Periodization / Festivals / Cultural History of Music / Latin American Colonial Music / Music festivals / Early music and historically informed performance practice / Music Programming

Simposio Internacional “De la guitarra a la bandola: cordófonos pulsados en el mundo hispano-americano desde 1492 hasta hoy” (Roquetas de Mar (Almería), Escuela Municipal de Música, 13-14 de julio de 2013) [Final program]

Early Music / Atlantic World / Baroque Music / Renaissance music / Performance Practice / Instrumentos de cuerda

Cuestiones de género: el danzón como un complejo de performance

Musicology / Dance Studies / Ethnomusicology / Genre studies / Performance Studies / Transnationalism / Transnational History / Cultural Musicology / Genre Theory / Latin American Music / Afro-Caribbean Music / Performance Practice / Popular musicology / Música / Etnomusicologia / Cuban Music and Dance / Etnomusicología / Cuban music / Música Popular / Musicología histórica / Mexican Music / Música cubana / Genres and Music / Popular Mexican Music / Comparative/Transnational History / Música mexicana siglos XIX y XX / Musica Popular Mexicana / Musicología / Transnationalism / Transnational History / Cultural Musicology / Genre Theory / Latin American Music / Afro-Caribbean Music / Performance Practice / Popular musicology / Música / Etnomusicologia / Cuban Music and Dance / Etnomusicología / Cuban music / Música Popular / Musicología histórica / Mexican Music / Música cubana / Genres and Music / Popular Mexican Music / Comparative/Transnational History / Música mexicana siglos XIX y XX / Musica Popular Mexicana / Musicología

IV Jornadas de Música Antigua. De la fuente a la interpretación (University of Valladolid, 16 March-12 May 2017) [Final Program]

Early Music / Musicology / Performance Studies / Baroque Music / Latin American Music / Renaissance music / Polyphony / Performance Practice / Spanish Music / Historical Musicology / Latin American Colonial Music / Music Programming / Renaissance music / Polyphony / Performance Practice / Spanish Music / Historical Musicology / Latin American Colonial Music / Music Programming

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